这是一部由迪士尼频道电视剧《查莉成长日记》(GoodLuckCharlie)女一号BridgitMendler领衔主演的迪士尼频道原创电影，改编自同名青少年小说。五个原本不起眼的高中生，在一次课后留堂中相识，留堂教室门外的一台柠檬汁售货机使他们有了交集，无意中演奏出的音乐让他们碰出了火花。无奈学校由一个看重利益的刻薄校长掌管；出于利益的考虑，校长偏爱体育生，与运动无关的其他活动都被迫转入地下。五个同学随后组成的乐队，柠檬大嘴巴，担当起了在这所学校为普通同学代言，号召大家勇敢表达自我的领袖角色；与此同时，挫折和非议也接踵而至，就连那台柠檬汁售货机也难逃被校长下令移除的命运。爱喝柠檬汁的他们，能为大家争取到表达自己的自由吗？他们的音乐事业能取得最后的辉煌吗？

一对新婚夫妻和双方家庭面对在文化与价值上的冲突，争吵不休的两家人最后能否放下成见，从冤家变成真正的亲家？

疯狂女巫，经典回归。

　　胡格（杰森·罗巴兹 Jason Robards 饰）遭到了信赖的朋友塔格里（L·Q·琼斯 L.Q. Jones 饰）和布温（斯特罗瑟·马丁 Strother Martin 饰）的背叛，身无分文险些丧命。在一片荒漠之中，胡格意外的发现了一处水源，于是，他打起了卖水的主意。
　　牧师约书亚（大卫·沃纳 David Warner 饰）指责胡格不应该将公共资源据为己有，于是胡格前往附近的小镇，将这片地买了下来，紧接着，他又凭借着三寸不烂之舌说服了当地的银行家投资兴建旅店。与此同时，胡格邂逅了被小镇上的居民居住出镇的妓女西堤（斯黛拉·斯蒂文斯 Stella Stevens 饰），胡格收留了她，两人之间产生了真挚的感情。

作为曾经叱咤风云的前垒球运动员，丽莎（瑞茜·威瑟斯彭ReeseWitherspoon饰）不得不承认，自己30岁的“高龄”早已不适合再在职场上闯荡了。而就在事业遭受打击的节骨眼上，丽莎的感情也遭遇了危机。丽莎的男友马蒂（欧文·威尔逊OwenWilson饰）是一个著名的花花公子，而身处而立之年的丽莎再也不愿意忍气吞声的当他的“备胎”，相处多年的两人一拍而散。就在人生渐渐走向低谷的时候，丽莎遇见了名叫乔治（保罗·路德PaulRudd饰）的男人。乔治有一个华尔街大亨父亲和一个让人血脉喷张的漂亮女友，可是在刹那间，他失去了这一切，甚至成为了联邦调查局的目标。同是天涯沦落人，丽莎和乔治的距离慢慢的拉近着，就在一切顺利进行的时候，马蒂却杀了个回马枪，乞求丽莎回到他的身边。在前男友和高富帅之间，丽莎不知该如何选择。

Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...